Timeline editing and storyboard editing modesĪdjustable track height and smart alignment toolsĮNHANCED Move/Copy LUTs in between folders NEW Parallax, Split and Instant Color Transitions Set the minimum default transition duration to 0.1 seconds in Preference for flawless, cinema-grade transitions between scenes.ĭrag-and-drop overlays, titles, graphics and transitions.Delve into Stop Motion Animation with an expanded list of camera support, including the latest Canon and Nikon Camera SDK.SBV YouTube Subtitle format, and save immeasurable time when creating new video projects. Tap into multi-lingual subtitles by leveraging the.Edit subtitles more smoothly with new hotkeys-move up to 10 frames in either direction.Quickly copy or delete parts of your footage with enhanced Mark In/Out Select tools.Manage LUTs more easily-move them between folders seamlessly.Expedite GIF creation by bringing your projects right into the enhanced GIF Creator.Edit your audio more easily with enlarged Waveform preview and improved volume controls.Access your most frequently used feature icons in one click via the Customize Toolbar Options list (new feature options include Customize Motion, VoiceOver Recording, and Snapshot).If you want to learn more about storyboarding watch video tutorials in our previous post on ‘ Storyboarding Like a Pro‘. You can download full-page prints of the storyboards from his story/design notes post. This can be written sound effects, heads turning, movements, etc.Īll these images were first shared by Ben Caldwell on his blog. Just like in editing, your storyboards need to show the motivation for cuts. Cutting to different character heights can remind the audience how to feel about certain characters. High angles imply weakness and fear, low angles imply power and dominance. Exploit different character heights, if you need to establish or re-establish your shot.Īs any Film 101 course will tell you, camera angles tell the audience a lot about how they are supposed to feel about a character. While this can be used to a filmmakers advantage, Dreamworks wants their characters to be as inviting as possible. Characters squared off & looking at our left or right ear.Ĭharacters looking directly at the camera can make the audience feel awkward. “Dirty” shots help to give the scene a sense of intimacy or even hostility, making the dialogue seem more important. Over-the-shoulder shots & reaction shots help deliver dialog. Don’t feel the need to fill-up and crowd every part of the frame. Just like with a video shot, the empty space is just as important as the space that’s filled. Careful of how you frame characters…don’t squeeze them just to fit a shot. Try offsetting the background to add depth. Having objects parallel to the frame makes for a very uninteresting shot. Be wary of composition in which everything is parallel to the frame. Dreamworks recommends grouping up people to make choosing cuts easier. It can be rather difficult to shoot more than two people talking to each other at the same time. When dealing with multiple characters try to logically group them to help make cutting back and forth easier. Just like a well composed shot, a storyboard needs to have elements at different distances in order to sell depth. Keep in mind what elements may take up the foreground and background of a shot (walls, trees, etc). Use foreground, mid-ground, background & far background to sell depth. Without grids it can be hard to tell where the figures are standing in the scene. Ground grids help develop a sense of space and camera position. Lay down grids to help “ground” your characters and compositions. However, if you’re wanting to get a shot like Wes Anderson God’s eye view, than flat staging might be the way to go.Īn example of Flat Staging from Wes AndersonĢ. A flat image isn’t very engaging and thus makes for an uninteresting storyboard. If you aren’t already familiar, flat staging is a picture that is void of 3D perspective. Avoid flat staging unless when necessary. Although these tips are intended to be used for animation, the concepts still apply to live-action film. The following tips were created by Dreamworks as a style guide for their storyboard artists. S toryboard from How to Train Your Dragon, Courtesy of Ryan Savas But what if we could make storyboards just as good as the pros? If your drawing skills are anything like mine, your storyboards probably look like they were drawn by a kindergartener. Big budget features have artists specifically hired to make storyboards for the film, but most indie-filmmakers have to do the job themselves. Simply put, storyboards are comic-like drawings used to show shot layouts and composition. Storyboards are an extremely useful tool to have in the pre-production process. Discover the tricks to creating dynamic storyboards with these helpful tips from Dreamworks.
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